Jason Isbell’s ‘Elephant’ is the saddest, greatest love song of 2013

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A guy and girl sitting at a bar. They’ve known each other for a long time but now something new is happening.

She said, ‘Andy, you’re takin’ me home/But I knew she planned to sleep alone/I’d carry her to bed and sweep up the hair from the floor…”

Sense the darkness in that room, the small comfort of the solitary bed and the whisper of the bristles against the floorboards. You can hear it in the direct voice and the unresolved guitar chords, too. The inescapable fact of death coming closer.

“I’d sing her classic country songs/And she’d get high and sing along/But she ain’t got much voice to sing with now…”

Jason Isbell’s album Southeastern (buy it on his site, on iTunes or wherever you buy music) pulled me in about two songs into my first listen on Spotify, but “Elephant” was the song that made me stop what I was doing and turn it up. Something about the pain his voice and the lightly sketched details (e.g., ‘Seagrams in a coffee cup’) rippled my marrow. The elephant that walks alongside all of us. And, if we’re lucky, the loving presence that lights our way into the end.

“There’s one thing that’s real clear to me/No one dies with dignity/We just try to ignore the elephant somehow/Somehow/Somehow…”

The Beatles and the Beasties: All Together Now!

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Yet another mind-blowing mashup. And a killer video to go along. Love it.

The Heavy Box – Mike Cooley on the duality of the American gun thing.

cooleyAnother guy dressed in quasi-military drag. Another blurry security photo of the shooter, stepping casually through the door, assault weapon in his fists. Thumbnail profiles of the victims; the hardworking father, the popular student. Turns out the shooter has a history of mental illness. And violence.

Mental illness, violence and easy access to automatic weapons and mammoth amounts of ammo.

Such is the duality of the American thing.

The best thing I’ve read on gun control recently, coming from the middle of American gun culture, can be found on the website for the great Southern band the  Drive-By Truckers.It’s written by guitarist/songwriter Mike Cooley, and says it all.

(I’m posting the entire piece here, which may not be cool in terms of copyright and ‘net etiquette, but it’s such a transcendent essay and hit me so hard I felt — imagined? — a kind of moral purpose to passing it around.)

There was this heavy box I carried around with me for years. I would pick it up, put it in the truck, haul it to the next place and that’s where it stayed until it was time to move again. It was full of small caliber handgun and rifle cartridges, and shotgun shells of various size and shot patterns. It wouldn’t be considered a stockpile by today’s standards, and I didn’t have any use for it then, but I inherited it and the guns that went with it from my father. So I would toss it into the pile with the rest of the baggage I wasn’t ready to part with and pretend I was moving on.

My Dad owned a store. Similar to a convenience store, but located in the rural community where we lived, so it still functioned like a traditional country store, complete with a set of regulars that stopped by almost every day to chat. And without cable tv (it’s still not available there), 24/7 news, and the internet still over 20 years away, country stores and good ole boys had a wireless bullshit delivery system nonetheless. And good old boys never talk long without talking about guns.

I didn’t think much about it at the time, but every now and then my Dad would come home convinced something was about to happen with regard to guns and ammo that required “stocking up.” There were going to be limits on the number of boxes you could buy. The price was going to reach unaffordable levels. “They” were going to make it so that you couldn’t even buy guns any more or be able to use the ones you had. And this information was never reported in the news because “they” don’t want you to know it. That’s how that heavy assed box came to be, and would eventually come to me.

One night before I inherited all those bullets, I got shot at. They wouldn’t have done me any good since I was trespassing. I’m pretty sure firing shots at the owner of the property you’re trespassing on makes it worse. Anyway I was with a couple of friends and we were rolling this guys yard. His house was on a hill at the end of a long driveway with woods in between. We heard the door open and the lights came on and we ran through the woods toward the road. He fired 2 maybe 3 shots and I could hear the bullets going through the trees alongside us. I don’t know if he was actually trying to hit us,and I’m not even sure if he could see us, but he didn’t just fire in the air either. It had to be obvious we were running away even if it wasn’t obvious we were just kids pulling a prank.

On another evening I was home with my parents and some of my friends thought it would be funny to steal the hubcaps off my car. We heard a noise and my Dad could see someone moving around outside. He got his gun, threw open the door and yelled “I’ll blow your head off you son of a bitch”. One of my friends stood up from behind the car with his hands up saying “don’t shoot Mr Cooley it’s me”. My Dad was red and shaking all over from fear and embarrassment. He’d almost shot a kid pulling a prank.

The inability to defend ones home or even the thought of that level of helplessness brings to mind images that are frightening for anyone, and my father and the man who shot at me belonged to a class and generation of men that were especially motivated that very fear. Robbing a man of the ability to defend his home was the last degrading thing the world could do to him. A world that many of the men of my dad’s generation and class saw as having it in for them in the first place. And that was enough to make anything less than an armed response, a weak response.

I never told my Dad I got shot at pulling a prank, and the man who did it outlived him.

I got rid of that box of ammo. If I need to do some shooting, I can buy more. And there was never a time when I couldn’t.

– Cooley

Retrofit Digest: R.E.M. on Mountain Stage, 1991

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I pulled out my copy of R.E.M.’s performance on the “Mountain Stage” radio show on April 28, 1991 the other day and about half a verse into the first song I just sort of…swooned.

Were you around then? Did you hear the show? This was, suddenly, a long time ago. A few weeks after the smash break-through Out of Time came out, just when its lead single “Losing My Religion” was everywhere, all the time. For latecomers like me — bystanders who only ever started listening when the indie band moved to Sire records and got airtime for way-better-than-anything-else-on-the-radio tunes like “The One I Love,” “Fall on Me” and “Stand” — figured out, in a hurry, that these college-rock kids weren’t just one of the two most important bands in the world (the other being U2), but were also the closest approximation of the Beatles since….well…the Beatles.

Not just because the playing was so great, which it was, or because the harmonies sounded so distinctive and perfect, which they were. Or because the songs sounded so great and had such elliptical-yet-moving lyrics, which they did, particularly when delivered in Michael Stipe’s oak-and-beer voice. But because it was all that stuff at once, all together, blended into this kind of seamless, perfectly balanced whole that you could only really describe as R.E.M.

It was mysterious, it was lovely, it was the sound of the moment, the sound of my generation coming into full flower.

Here’s a little video of the actual Mountain Stage show, the abstract poetry-meets-achingly-pure-Beach Boys-harmony piece called “Belong.”

Holy shit, right? Yes, exactly. What’s he saying? Why is that seemingly dark vision — the first words are “The world collapses…” — muttered beneath such sweet voices? I’ve been thinking about this tune for 22 years now and I’m still thinking. And wondering.

There should be wonder. There should be mystery. And in 1991, for that egg-balanced-on-end moment when there was R.E.M. and Nirvana and Pearl Jam and U2 and they were all at their peak and all at the top of the charts, weirdness and mystery were not just welcomed in to the mainstream, they dominated it. You would turn on the radio, any station at virtually any hour of the day, and hear a chain of gothic colloquialisms and half-uttered admissions of sin. I give you “Losing My Religion,” performed here on MTV’s Unplugged, almost exactly as it had been on the bare Mountain Stage stage.

Feelin’ pretty psyched? This collision of sound and words, feeling and thought, blossoms turned to full, blooming leaf, the sun on your back and nothing but clear skies ahead. It’s never going to last, but in that moment it nearly sort of absolutely feels like it might. So find that old tape, or see if your kid can digitize it for you somehow, and turn it up.

You symbiotic, patriotic, slam book neck. Right? Right.

I’m afraid the lemur got into the pudding cups: “Archer” clips

archerSomehow the pilot episode of “Archer” didn’t knock me out a few years back.

What was I thinking? No idea. But I’m catching up now on Netflix and having the grandest time of it. In the most recent episode I saw (season 3, #3) two teams of pirates were playing in a lacrosse tournament (long story), and one side was called the Lakshmi Singhers. Did you SEE that? How did you not see that?

Six minutes worth of awesome clips — all drawn from the first six episodes of the first season — can be seen below. Don’t stop there. Really.